{"id":303,"date":"2017-03-04T10:05:46","date_gmt":"2017-03-04T09:05:46","guid":{"rendered":"http:\/\/incenseofmusic.com\/?p=303"},"modified":"2026-09-24T18:10:07","modified_gmt":"2026-09-24T16:10:07","slug":"incense-of-music-no-11-spell-fotinaki-filippou","status":"publish","type":"post","link":"https:\/\/incenseofmusic.com\/en\/2017\/03\/04\/incense-of-music-no-11-spell-fotinaki-filippou\/","title":{"rendered":"Incense of Music 11 &#8211; SPELL: Fotinaki, Filippou"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"303\" class=\"elementor elementor-303\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a113265 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a113265\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-17eddd5\" data-id=\"17eddd5\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e6c7cc2 elementor-widget elementor-widget-html\" data-id=\"e6c7cc2\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"iom-concert\">\n\n  <p class=\"iom-title\">Incense of Music 11<\/p>\n  <p class=\"iom-program-title\">Spell<\/p>\n  <p class=\"iom-subtitle\">An olfactory concert \u2013 <strong>Monday, 13 March 2017, 8 pm<\/strong><\/p>\n\n  <div class=\"iom-musicians\">\n    <p><strong><a href=\"https:\/\/incenseofmusic.com\/katerina-fotinaki-singer-songwriter\/\">Katerina Fotinaki<\/a><\/strong>: vocals, guitar<\/p>\n    <p><strong><a href=\"https:\/\/incenseofmusic.com\/evi-filippou-percussion\/\">Evi Filippou<\/a><\/strong>: percussion<\/p>\n  <\/div>\n\n  <p class=\"iom-incense\">Incense: <strong><a href=\"https:\/\/incenseofmusic.com\/zypresse\/\">Greek Cypress<\/a>, <a href=\"https:\/\/incenseofmusic.com\/wermut\/\">Wormwood<\/a><\/strong><\/p>\n\n  <p class=\"iom-location\">Palais im Roten Salon, Volksb\u00fchne Berlin \u2013 <a href=\"https:\/\/www.volksbuehne-berlin.de\/praxis\/the_incense_of_music_no_11\/?id_datum=11438\" target=\"_blank\" rel=\"noopener\">Volksb\u00fchne link<\/a><\/p>\n\n  <p><a href=\"https:\/\/incenseofmusic.com\/katerina-fotinaki-singer-songwriter\/\">Katerina Fotinaki<\/a>'s performance \"Spell\" is a kind of exorcistic travel guide between ancient witchcraft and modern neurosis. The celebrated Greek singer-songwriter offers musical-poetic remedies against despair and evil magic. She is accompanied musically by Greek percussionist <a href=\"https:\/\/incenseofmusic.com\/evi-filippou-percussion\/\">Evi Filippou<\/a>. <a href=\"https:\/\/incenseofmusic.com\/zypresse\/\">Greek cypress<\/a> (Cupressus sempervirens) and <a href=\"https:\/\/incenseofmusic.com\/wermut\/\">wormwood<\/a> (Artemisia absinthium) will be burned simultaneously with the concert.<\/p>\n\n  <p>Compositions by: Katerina Fotinaki, Screaming Jay Hawkins, Leonard Cohen, Violent Femmes, Guillaume de Machaut, Henry Purcell, Georges Aperghis, Manos Hadjidakis, and Mikis Theodorakis. Alongside Orphic hymns and ancient Greek magic spells, Katerina recites texts by Sappho, T. S. Eliot, W. Blake, A. Tennyson, O. Elytis, K. Palamas, and D. Solomos.<\/p>\n\n  <p><em>For guests who are particularly sensitive to smoke, this event is not recommended.<\/em><\/p>\n\n  <div class=\"iom-group-photo\">\n    <img src=\"http:\/\/incenseofmusic.com\/wp-content\/uploads\/2017\/02\/Affiche-FR-low-res-made-by-Miltos-Pantelias.jpg\" alt=\"Katerina Fotinaki\">\n  <\/div>\n  <p class=\"iom-group-photo-credit\">Poster by Miltos Pantelias<\/p>\n\n  <h2 class=\"iom-section-title\">Artists<\/h2>\n\n  <div class=\"iom-artist\">\n    <p><strong><a href=\"https:\/\/incenseofmusic.com\/katerina-fotinaki-singer-songwriter\/\">Katerina Fotinaki<\/a><\/strong> \u2014 vocals, guitar<\/p>\n    <p>Katerina Fotinaki (Greek: \u039a\u03b1\u03c4\u03b5\u03c1\u03af\u03bd\u03b1 \u03a6\u03c9\u03c4\u03b5\u03b9\u03bd\u03ac\u03ba\u03b7), born in Athens, is a Greek guitarist, singer, and songwriter. She studied classical literature at the University of Athens and vocal technique at the Institute of Vocal Arts under baritone Spyros Sakkas. She was artistic director of several projects in Greece and received numerous awards at composition competitions. In 2006, invited by composer Ang\u00e9lique Ionatos, she moved to Paris, where the two created three different stage programmes together as well as a joint CD\/DVD of their duets. Katerina held a scholarship from the Cit\u00e9 des Arts for several years. In December 2011, she won first prize in a national songwriter competition organized by the Alexander S. Onassis Foundation in Athens for her song \"To Oniro\" (\"The Dream\"), based on a poem by Dionysios Solomos, launching her solo discography with the album \"Tzitzikia\" (\"Cicadas,\" Accords Crois\u00e9s\/Harmonia Mundi), for which she set to music the lyrics of contemporary Greek poets such as Odysseas Elytis alongside her own texts. The album was enthusiastically received by the French press (an \"fff\" rating from T\u00e9l\u00e9rama, named 4th best CD of the year by Le Monde in 2014). Alongside Greek music and poetry, Katerina Fotinaki studied contemporary music with composer Bernard Cavanna at the Gennevilliers Conservatory. Since 2014 she has taught at the National Theatre of Northern Greece. The French cultural magazine Les Inrockuptibles wrote of her poetics that she favours the ancient sources that do not separate song and poetry from myth and theatre over the mere beauty of folklore.<\/p>\n    <div class=\"iom-video-wrap\">\n      <iframe src=\"https:\/\/www.youtube.com\/embed\/RUBGWLPhIPE\" title=\"Katerina Fotinaki\" frameborder=\"0\" allowfullscreen><\/iframe>\n    <\/div>\n  <\/div>\n\n  <div class=\"iom-artist\">\n    <p><strong><a href=\"https:\/\/incenseofmusic.com\/evi-filippou-percussion\/\">Evi Filippou<\/a><\/strong> \u2014 percussion<\/p>\n    <p>Evi Filippou started taking percussion lessons at the age of seven. She has performed with, among others, the Bolshoi Ballet Orchestra, the Cyprus Symphony Orchestra, and the Orchestra of Konzerthaus Berlin. Evi is a founding member of Opera Lab Berlin, an independent ensemble specializing in music theater, with which she premiered a piece by Salvatore Sciarrino at the Staatsoper Berlin. In 2015 she appeared as a soloist in the series \"Welcome Young Artists!\" in Athens. Together with saxophonist Hayden Chisholm, Evi Filippou recorded the duo album \"Blowslap\" in 2016.<\/p>\n    <div class=\"iom-video-wrap\">\n      <iframe src=\"https:\/\/www.youtube.com\/embed\/itgny1TKIR8\" title=\"Evi Filippou\" frameborder=\"0\" allowfullscreen><\/iframe>\n    <\/div>\n  <\/div>\n\n  <h2 class=\"iom-section-title\">Incense<\/h2>\n\n  <div class=\"iom-plant\">\n    <div class=\"iom-plant-photo\">\n      <a href=\"https:\/\/incenseofmusic.com\/zypresse\/\"><img src=\"http:\/\/incenseofmusic.com\/wp-content\/uploads\/2017\/02\/Med_Cypress-199x300.jpg\" alt=\"Cupressus sempervirens\"><\/a>\n    <\/div>\n    <div class=\"iom-plant-text\">\n      <span class=\"iom-plant-name\"><a href=\"https:\/\/incenseofmusic.com\/zypresse\/\">Greek Cypress<\/a><\/span>\n      <p>The Mediterranean cypress (Cupressus sempervirens) \u2014 also known as the pencil cypress, true cypress, or mourning cypress \u2014 is an evergreen tree in the cypress family. Under favourable conditions it shows remarkable height growth, reaching four to six metres within ten years; it is considered a pioneer species, highly adaptable and drought-resistant, growing on chalk, marl, and clay soils as much as on dry, poor ground. Its original range spans Greece, the Aegean islands, Crete, Cyprus, Syria, Israel, Cilicia, and Lebanon through to southwestern Iran; it was introduced to Italy in antiquity, and later to France and Spain. Cypress is not native to Germany.<\/p>\n      <p>Its pleasantly scented, easily worked wood is hard, dense-grained, and highly durable. In antiquity it was used for posts, roof beams, wine presses, tables, and musical instruments, and was so valuable that a cypress plantation was considered a fitting dowry for a daughter. In Assyria it was prized for statues, temple doors, and sarcophagi, as well as wands used in necromancy. Its oil and wood, valued for their antibacterial properties, were also used to combat epidemics. In Ottoman culture, cypress is regarded as the tree of life, and its form still adorns Turkish fountains, gravestones, and prayer rugs.<\/p>\n      <p>For the ancient Greeks, it was simultaneously a symbol of grief and of metamorphosis \u2014 a meeting point of life and death, of memory and forgetting. According to Orphic tradition, two rivers spring up in the underworld at the foot of a white cypress: to the right, Mnemosyne, the spring of memory; to the left, Lethe, the river of forgetting. A further literary source for this mythologem is the story of Cyparissus, son of the Arcadian hero Telephus and beloved of Apollo, who in youthful hunting passion accidentally killed his own tame stag and, inconsolable over his mistake, was transformed by Apollo into a cypress tree: \"When now his blood was wholly spent through ceaseless weeping, his body began to turn to green; the hair that had hung upon his snow-white brow became shaggy foliage, and, stiffened, gazed up at the stars with a narrowing crown. The god sighed with sorrow and said: 'You shall forever be mourned by us, and, near to the grieving, shall mourn others too.'\" (Ovid, Metamorphoses; German translation R. Suchier)<\/p>\n      <p>The cypress burned this evening was picked in the immediate vicinity of the Temple of Apollo at Delphi. The still-visible ruins, with six re-erected Doric columns, are the remains of the temple completed in 320 BC, seat of the famous Oracle of Delphi, where the Pythia sat in the adyton over a gas-emitting fissure in the earth, falling into trance to pronounce the god's utterances \u2014 likely accompanied by the burning of Cupressus sempervirens. The physician Oreibasios is said to have visited the oracle in 362 AD on the orders of Emperor Julian; the Pythia prophesied one final time, announcing the oracle's permanent silence: \"Tell the emperor, the ornate hall has fallen to the ground, Phoebus no longer has his house. Nor the prophetic laurel, nor the murmuring spring; the murmuring water too has fallen silent.\" Delphi, one of the greatest Panhellenic sanctuaries since the 8th century BC, gradually lost its central religious significance, until Emperor Theodosius I banned the Delphic Games as a pagan event in 394 AD.<\/p>\n      <p>Burned as incense, cypress releases a clear, resinous-woody scent with a cool, almost balsamic freshness. Even in Christian times it remained an evergreen symbol of longevity and the immortality of the soul, and it remains associated today with comfort, inner calm, and the processing of loss.<\/p>\n    <\/div>\n  <\/div>\n\n  <div class=\"iom-group-photo\">\n    <img src=\"http:\/\/incenseofmusic.com\/wp-content\/uploads\/2017\/04\/Cypress1js-1024x683.jpg\" alt=\"Cypress\">\n  <\/div>\n\n  <div class=\"iom-group-photo\">\n    <img src=\"http:\/\/incenseofmusic.com\/wp-content\/uploads\/2017\/04\/DelphiApollonTemple.jpg\" alt=\"Temple of Apollo, Delphi\">\n  <\/div>\n  <p class=\"iom-group-photo-credit\">Temple of Apollo, Delphi<\/p>\n\n  <div class=\"iom-plant\">\n    <div class=\"iom-plant-photo\">\n      <a href=\"https:\/\/incenseofmusic.com\/wermut\/\"><img src=\"http:\/\/incenseofmusic.com\/wp-content\/uploads\/2017\/04\/Artemisia-absinthium-300x225.jpg\" alt=\"Wormwood\"><\/a>\n    <\/div>\n    <div class=\"iom-plant-text\">\n      <span class=\"iom-plant-name\"><a href=\"https:\/\/incenseofmusic.com\/wermut\/\">Wormwood<\/a><\/span>\n      <p>Common wormwood (Artemisia absinthium L.) is native to the temperate regions of Eurasia and North Africa. It has been cultivated in monastery gardens as a medicinal herb for centuries, though its rather unremarkable appearance means it is often overlooked by hikers. Wormwood typically grows as an herbaceous plant reaching some 40 to 60 centimetres in height, arising from a horizontally growing rhizome from which upright, densely leaved shoots emerge, sometimes woody at the base.<\/p>\n      <p>The plant produces highly concentrated bitter compounds, chief among them absinthin; its essential oils contain thujone \u2014 familiar from the percentage figures on absinthe bottles, and largely responsible for the drink's both healing and harmful effects. Following the medieval instructions for burning it as incense, as laid out in the Speyer Herbal or by Hildegard of Bingen, avoids the overlaying side effects of alcohol entirely.<\/p>\n      <p>In antiquity, wormwood was used medicinally for an extremely wide range of conditions \u2014 menstrual complaints, liver and kidney ailments, jaundice, digestive troubles, and much more. The Egyptian Ebers Papyrus (c. 1600 BC), one of humanity's oldest surviving written documents, names wormwood repeatedly as a medico-magical plant (\"somi\" or \"saam\"). Greek authors frequently note its Egyptian and Asia Minor-Greek cultural spread: Dioscorides describes its ritual function among the Egyptians, while Theophrastus tells of sheep near the Pontus that lost their gallbladders from grazing on Artemisia. In Greece, wormwood was likely the most important of the Artemisia species dedicated to Artemis, goddess of the hunt and the forest. Artemis, twin sister of Apollo and daughter of Leto, was among the twelve original Olympian deities; as a virginal, nymph-like yet also fertility-bringing figure, she is especially associated with wormwood's use in the medico-mythological realms of menstruation, pregnancy, and childbirth. Yet in her role as protector of young girls, she also takes on ill-omened qualities: she punished the hunter Actaeon by turning him into a stag after he surprised her bathing, whereupon he was torn apart by his own hounds \u2014 linking Artemisia, since antiquity, with spells and curses as well.<\/p>\n      <p>Galen of Pergamon, the most important conduit of Greco-Roman herbal knowledge into post-antique Islamic and Christian medicine, ascribed to wormwood the humoral quality of \"warm and dry,\" with bitterness as a secondary quality \u2014 an assessment later adopted in the Middle Ages by Hildegard of Bingen, Konrad of Megenberg, and the herbalist Pierre Andrea Mattioli, among others. In Hildegard of Bingen's herbal medicine, wormwood occupies a central place, functioning almost as a classical universal remedy; she and the Speyer Herbal give instructions for wormwood potions, salves, plasters, poultices, and incense, and she further recommends it as an effective remedy against witches and demons. Wormwood became world-famous above all as the principal ingredient of absinthe, the legendary \"green fairy\" of 19th-century Parisian bohemia. When its use in distilling was restricted in Greece too, early in the last century, it gave a major boost to ouzo \u2014 \"absinthe without the wormwood\" \u2014 much as it did for pastis in France.<\/p>\n      <p>Burned as incense, wormwood releases a sharp, bitter-herbaceous, faintly camphorous scent. It is traditionally associated with banishing negative energy, protection, and mental clarity.<\/p>\n    <\/div>\n  <\/div>\n\n  <div class=\"iom-group-photo\">\n    <img src=\"http:\/\/incenseofmusic.com\/wp-content\/uploads\/2017\/04\/Syrischer_Maler_des_Kr\u00e4uterbuchs_des_Dioskurides_001-737x1024.jpg\" alt=\"Herbal of Dioscorides\">\n  <\/div>\n  <p class=\"iom-group-photo-credit\">Herbal of Dioscorides, Syrian painter<\/p>\n\n  <div class=\"iom-group-photo\">\n    <img src=\"http:\/\/incenseofmusic.com\/wp-content\/uploads\/2017\/04\/Delos_Museum_Artemis_01-769x1024.jpg\" alt=\"Artemis, Delos\">\n  <\/div>\n  <p class=\"iom-group-photo-credit\">Artemis, Delos<\/p>\n\n  <div class=\"iom-group-photo\">\n    <img src=\"http:\/\/incenseofmusic.com\/wp-content\/uploads\/2016\/03\/Hildegard_von_Bingen_Liber_Divinorum_Operum-203x300.jpg\" alt=\"Hildegard of Bingen, Liber Divinorum Operum\">\n  <\/div>\n  <p class=\"iom-group-photo-credit\">Hildegard of Bingen, Liber Divinorum Operum<\/p>\n\n  <div class=\"iom-group-photo\">\n    <img src=\"http:\/\/incenseofmusic.com\/wp-content\/uploads\/2016\/03\/Affiche_absinthe-642x1024.jpg\" alt=\"Satirical poster against the absinthe ban\">\n  <\/div>\n  <p class=\"iom-group-photo-credit\">Albert Gantner, satirical poster against the absinthe ban in Switzerland, Guguss, 1910<\/p>\n\n<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Incense of Music 11 Spell An olfactory concert \u2013 Monday, 13 March 2017, 8 pm Katerina Fotinaki: vocals, guitar Evi [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":302,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[1,2],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/incenseofmusic.com\/en\/wp-json\/wp\/v2\/posts\/303"}],"collection":[{"href":"https:\/\/incenseofmusic.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/incenseofmusic.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/incenseofmusic.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/incenseofmusic.com\/en\/wp-json\/wp\/v2\/comments?post=303"}],"version-history":[{"count":42,"href":"https:\/\/incenseofmusic.com\/en\/wp-json\/wp\/v2\/posts\/303\/revisions"}],"predecessor-version":[{"id":9210,"href":"https:\/\/incenseofmusic.com\/en\/wp-json\/wp\/v2\/posts\/303\/revisions\/9210"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/incenseofmusic.com\/en\/wp-json\/wp\/v2\/media\/302"}],"wp:attachment":[{"href":"https:\/\/incenseofmusic.com\/en\/wp-json\/wp\/v2\/media?parent=303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/incenseofmusic.com\/en\/wp-json\/wp\/v2\/categories?post=303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/incenseofmusic.com\/en\/wp-json\/wp\/v2\/tags?post=303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}