Incense of Music 37
Music For Possibilities (Drum Solo)
A multisensory concert – Friday, 30 August 2019, 8 pm
Daniel Schröteler: drums (solo)
Incense: Aralia Racemosa, Galbanum
PANDA Theater in der Kulturbrauerei, Knaackstr. 97, 10435 Berlin
After summer vacations, Incense of Music is back, having the pleasure to present Daniel Schröteler with "Music For Possibilities" (drum solo). Spontaneously, Daniel takes this opportunity to present sketches and settings for solo drums. We will burn Aralia racemosa and galbanum in two different sets.
Artists
Daniel Schröteler — drums
Daniel Schröteler (born 17 August 1974 in Düren) is a German jazz drummer. Given his first drum kit at the age of five, he studied jazz at the Hogeschool voor de Kunsten (ArtEZ) in Arnhem from 1990 to 1997. From 2000 he taught drums and rhythm at Johannes Gutenberg University Mainz, also teaching in Arnhem from 2002 to 2003. Since 2003 he has worked as a freelance musician. Schröteler is a member of various bands, including the Christian Weidner Trio, the Henning Berg Quartet, the Werner Neumann Quartet, the Matthias Haus Ensembles, and the groups Supdiver (with Niels Klein, Frank Wingold, and Dietmar Fuhr), TITZ (led by Christoph Titz), and Talking Jazz (with Till Brönner, Dieter Ilg, Charlie Mariano, and Martin Sasse). He has also worked in a duo with Antonis Anissegos, with Hayden Chisholm's The Inflictor, and with Marla Glen. With Philipp Gropper, Philip Zoubek, and Petter Eldh he formed the band Tau. Since 2016 he has been part of Tobias Christl's Wilderer. He has performed at jazz festivals in Germany, including Leverkusener Jazztage and Moers Festival, as well as in Maastricht, Bilbao, and Benoni (South Africa), and toured the Netherlands, Spain, and Africa on behalf of the Goethe-Institut.
Incense
Aralia racemosa, also known as American spikenard, is a large-leaved perennial herb native to the woodlands of eastern and central North America. It has a thick, aromatic root system, large compound leaves, and inconspicuous greenish-white flower clusters.
The root has long been used by various Indigenous peoples of North America in traditional medicine, for respiratory ailments, wound treatment, and as a general tonic. Early European settlers also used it as a substitute for true spikenard and for sarsaparilla in herbal tonics.
Burned as incense, the root of Aralia racemosa releases a warm, earthy, faintly sweet-spicy scent. It is grounding and calming, associated in Indigenous traditions with healing and protection.
Galbanum is the resin of Ferula gummosa, a tall perennial plant in the carrot family, native to the mountainous regions of Iran and Central Asia. Incisions made in the roots and lower stem release a milky sap that hardens into a yellowish-brown, gum-like resin.
Galbanum ranks among the oldest known incense materials, named in the Book of Exodus as one of the sacred ingredients of the Ketoret incense burned in the Temple of Jerusalem. The medieval scholar Rashi interpreted galbanum's bitter character within that blend as a deliberate reminder of unrepentant sinners. It was also used in ancient Egypt and in Greco-Roman medicine, including by Hippocrates and Pliny. In modern perfumery, galbanum helped define the "green" fragrance family from the mid-20th century onward, and remains a component of well-known scents such as Chanel No. 19 and Guerlain's Vol de Nuit.
Unlike many sweet or resinous incenses, galbanum releases a sharp, green, almost bitter-herbaceous scent with hints of freshly cut grass, parsley, pine needles, pepper, and a faintly musky, powdery depth. This unusual, unmistakably "green" note makes it a prized top note in perfumery, and it has traditionally been associated with protection and energetic cleansing.

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