Past concerts – incenseofmusic.com

Incense of Music 62/ Alcàcer, Dahlgren

Incense of Music 62

A multisensory concert – Friday, 4. April 2025, 20 Uhr

Pedro Alcàcer Doria: theorbo, lute
Chris Dahlgren, viola da gamba

Fabio Dondero (Incense burning): Labdanum

Join us for a unique multisensory concert, where sound and scent intertwine to transport you to another time. Two masterful musicians will weave an intimate tapestry of sound, filling the space with the warmth of historical strings and the lingering fragrance of ancient resins.

"A Different Shape of Viol' is a set of original compositions for solo bass Viola da Gamba that break away from the Baroque sound and style mostly associated with the instrument. The listener is offered a new and fresh approach to this instrument's enchanting sound that brings the past, present and future together.

PANDA Platforma in der Kulturbrauerei, Knaackstr. 97, 10435 Berlin

Chris Dahlgren (*1961 in New York City) is an American jazz bassist and polyinstrumentalist. Dahlgren, who grew up in Denver, played the cello as a child before switching to the bass. He studied jazz at the University of Cincinnati College-Conservatory of Music until 1986 and composition and experimental music at Wesleyan University until 2003, studying with Anthony Braxton, Alvin Lucier, and Christian Wolff. He also took composition lessons with La Monte Young and double bass lessons with Dave Holland, Barry Green, and François Rabbath. He then performed as a sideman with musicians such as Joe Lovano, Charles Tolliver, Red Rodney, Tricia Woods, and Herb Ellis and toured with the folk-rock group Over the Rhine. In 1996, he released his debut album Slow Commotion. Since 1998, he has been a member of the Jazz Mandolin Project. In his group Lexicon, he played with Gebhard Ullmann, Antonis Anissegos, and Eric Schaefer. Since 2003, he has been teaching ensemble playing at the Hochschule für Musik "Hanns Eisler" in Berlin.

Born in 1982 in Mexico City, Pedro Alcàcer Doria began his musical education at an early age under the influence of his father, the Catalan jazz musician Francesc Alcàcer, and was born into a creative family. He studied jazz guitar with Francisco Lelo de la Rea and immediately began learning classical guitar and composition with Hector Ramos. He completed his studies in classical guitar at the renowned "Escuela Nacional de Música-UNAM" and continued his studies with renowned teachers such as Isabelle Villei, Eloy Cruz, and Antonio Corona, specializing in Renaissance and Baroque repertoire. In 2006, he moved to Barcelona, Spain, where he obtained the "Berufstitel" for Renaissance and Baroque plucked instruments at the Conservatory of Girona under the renowned teacher Xavier Diaz-Latorre. He then continued his studies at the University of the Arts in Bremen, where he studied lute with Joachim Held and Lee Santana and earned his degree. As a passionate musician, he continued his instrumental improvement with Evangelina Mascardi in Italy while working intensively as a soloist and continuo player. He has worked with important conductors such as Gabriel Garrido, Alessandro di Marchi, Marco Mencoboni, Paolo Faldi, Riccardo Doni, Horacio Franco, Cristoph Hammer, Carlos Aranzay, Gerhard Oppel, Burak Özdemir, and others, and has performed at prestigious festivals and forums in Italy, Germany, Spain, France, Czech Republic, Belgium, Netherlands, Brazil, and Mexico. He currently lives in Berlin and collaborates with various realities of early music in Europe. The artist is known for his profound experience and artistic sensitivity, which he has acquired through collaborations with outstanding musicians and teachers from all over the world. His international experience and high qualifications make him an outstanding artist in his field.

Labdanum is a fragrant resin derived from the leaves and twigs of Cistus ladanifer and Cistus creticus, two rockrose species native to the Mediterranean. It has been prized for centuries in perfumery, medicine, and incense due to its rich and complex aroma. Its scent is deep and amber-like, with warm, balsamic, and slightly sweet undertones. Notes of earth, leather, honey, dried fruits, smoky vanilla, and musk give it a distinctive character. This complexity makes labdanum an essential ingredient in oriental, chypre, and amber perfumes, where it adds depth, warmth, and longevity. Beyond perfumery, labdanum has long been used in incense and spiritual rituals for its calming and grounding properties. In ancient times, it was even collected by combing the resin from the beards of goats that grazed on Cistus shrubs. It also had medicinal applications, valued for its antiseptic and expectorant qualities. With its deep, enveloping scent, labdanum evokes mystery, warmth, and timeless elegance, remaining a treasured element in both modern fragrance creation and historical aromatic traditions.

by leo

Incense of Music 61 - Striffler, Buder

Incense of Music 61

A multisensory concert - Saturday, March 1st 2025, 8 pm

Fabiana Striffler: violin, voice
Hannes Buder, cello, voice, electronics

Fabio Dondero (Incense burning): Juniper

Join us for a concert with two exceptional artists and a classic of incense burning (Juniper). Don’t miss this night of unique, genre-defying sound—where jazz, avant-garde, and classical influences come together in an intimate performance that promises to captivate. For guests who are particularly sensitive to smoke, this event is not recommended.

PANDA Platforma in der Kulturbrauerei, Knaackstr. 97, 10435 Berlin

Fabiana Striffler is a musician (violin, vocals, composition) who moves between jazz and avant-folk. In 2022 she was nominated for the German Jazz Award for her music, and in 2021 she was awarded the German Jazz Award as part of the Andromeda Mega Express Orchestra. "Fabiana Striffler is a very talented violinist who plays directly from the heart. Her beautiful sound is a reflection of herself. Fabiana has a unique balance of keen intuition and intellect that allows her to make pure music no matter what creative situation she finds herself in.” (New York, Garry Dial, Grammy “live at the Village Vanguard”) In 2024, she released her fourth album with Paris-based cellist Karsten Hochapfel, La Plume Du Dimanche (Wopela), as well as the single Konferenzverschaltung for synthesizer and strings (Traumton). In 2023 and 2024, she released six more albums in collaborations with other artists, in which she increasingly contributed her voice in addition to her violin. Concerto Magazine: “Gustav Mahler might have composed such songs if a time machine had catapulted him into the early 21st century: mysteriously radiant, touching and full of unheard-of sounds...”. Residencies and scholarships have taken her to New York, Paris, Glasgow and Tallahassee. She received the Elsa Neumann Scholarship for her modern and improvising string quartet. She was sponsored by the Yehudi Menuhin Association for six years. She grew up in Italy and lived temporarily in Spain and France.

https://www.fabianastriffler.com/
Social: https://www.instagram.com/fabianastriffler/

Hannes Buder is a cellist, guitarist, and composer. He feels connected to the artists of the Art Brut, Abstract Expressionism and Minimal Music. "If I could make music the way Mark Rothko painted, I would be a happy man.“ He develops his own compositions and sounds utilising the cello, electric guitar and his voice. He feels related to outsider artists who create not within the confines of genre but following their own necessity of expression. His last solo albums were 'changes II' (2015 on Umlaut Records) and 'outside words' (2021 on Laaps Records). For over 20 years, Buder has regularily collaborated with dancers and theater ensembles, which is strongly reflected in the physicality of his playing. The album „Your Dramatic Joy“ appeared in 2023 in collaboration with Ernesto Rodrigues and others. "Wonderfully balanced sound-art, versatile, lively and uncompromising in its musical character.” (Süddeutsche Zeitung) „All the pieces are extremely fluid, unfolding their own well measured minimalism in instinctive constructions, which are clothed in austere Gothic traits, flowery Renaissance harmonies and deconstructions of an instinctive improvisation, which sublimates in a nervous and elegiac post-modernity, crowned by a pulsating, deeply human chorality.“ (Music won't save you, January 2022)

Website: http://hannesbuder.de/
New Album: https://laaps-records.com/album/outside-words
Social: https://www.instagram.com/hannesbuder/

Illustration from The cypress and juniper trees of the Rocky Mountain region, 1915 - Alligator-Juniper (Juniperus deppeana)

Juniper (Juniperus spp.) is an evergreen shrub or small tree in the cypress family, known for its needle-like leaves and aromatic berries. It thrives in diverse climates, from dry rocky landscapes to alpine forests. Juniper berries, actually seed cones, are used in cooking, medicine, and gin production. Juniper has been used as an incense for centuries in various cultures for purification, protection, and spiritual practices. When burned, juniper releases a crisp, woody, and slightly sweet aroma with a hint of citrus and spice. Many indigenous and ancient cultures, including the Celts and Native American tribes, burned juniper to cleanse spaces of negative energy, much like sage or palo santo. In European folklore, juniper smoke was believed to ward off evil spirits, illness, and misfortune. It was often burned in homes or at entrances to create a protective barrier. The scent of juniper is known to stimulate the mind, promote clarity, and enhance focus, making it a popular choice for meditation, shamanic rituals, and divination. Juniper incense is thought to have antimicrobial properties and is used in some traditions to support respiratory health, reduce stress, and promote emotional balance. How to Use Juniper as Incense: Dried Juniper Sprigs or Berries: These can be burned directly on charcoal or added to incense blends. Juniper Resin: The resin, often combined with other resins like frankincense or copal, produces a rich, earthy scent when burned. Juniper Incense Sticks or Cones: Commercially available, these provide a convenient way to enjoy the cleansing properties of juniper. Burning juniper incense can create a grounding yet uplifting atmosphere, making it an excellent choice for rituals, meditation, or simply freshening a space with its refreshing, forest-like fragrance.

by leo

Incense of Music 60/ The Clarinet Trio

Incense of Music 60

A multisensory concert – Friday, 7th February 2025, 8 pm

The Clarinet Trio

Gebhard Ullmann, bass clarinet
Jürgen Kupke, clarinet
Michael Thieke, clarinet, alto clarinet

Fabio Dondero (Incense burning): Okoumé Resin, Siberian Pine Resin

PANDA Platforma in der Kulturbrauerei, Knaackstr. 97, 10435 Berlin

We are thrilled to present the Clarinet Trio as part of the Incense of Music concert series. For over 25 years, this groundbreaking ensemble has captivated audiences worldwide with their unique instrumentation—three clarinets, pure and unadulterated. Let yourself be enchanted by the magical sounds of the clarinet trio as the air fills with the warm, balsamic aromas of okoumé resin and the spicy freshness of Siberian pine resin. Experience how music and fragrance merge in harmonious symbiosis, creating an atmosphere that will deeply relax and inspire you. We look forward to your visit! For guests who are particularly sensitive to smoke, this event is not recommended.

Probably the most striking aspect of the Clarinet Trio's music is the instrumentation: three clarinets pure. No strings, no piano, no percussion. A trio in the classical sense, without concessions to entertainment knick-knacks. No electronics either, or cheap appeals to zeitgeist or whatever lifts the spirit. The three musicians create music of strong atmospheric density. Single long lasting tones appear from nowhere. Playing with the volume, drama can be sensed. Silence. Then again sounds that palpate the silence, but also offer that exact silence the space to it's own unfolding. The music is creatively composed and sensitively improvised. It can also growl, paint sounds and swing melodically. It needs no special effects. It impresses with its creative ideas and masterly playing technique. The Clarinet Trio since 25 years is considered one of the leading woodwind ensembles worldwide. Its CDs today are regarded as classics and genre-establishing. In 2022 the Clarinet Trio released the 6th CD entitled 'Transformations and Further Passages' for its 25th anniversary. It features German Jazz Compositions from the 1950s and 60s. Music by Albert Mangelsdorff, Karl Berger, Rolf and Joachim Kühn, E.L. Petrowsky, Jutta Hipp, Joki Freund, Manfred Schoof and others.

Okoumé Resin is a resin extracted from the Okoumé tree (Aucoumea klaineana), a tropical tree native to the rainforests of West and Central Africa, particularly in Gabon and Cameroon. This resin is known for its unique property of becoming liquid when heated, making it highly versatile in various applications. Okoumé resin is primarily used in the wood and furniture industry to seal and protect wood surfaces. It has good adhesion to wood and provides a durable, glossy finish. It is also used in the production of paints, coatings, and varnishes. In addition, it finds application in certain traditional medicinal uses and in the cosmetic industry. The resin is notable for its relatively low viscosity compared to other tree resins, making it easy to process. While it is not as aromatic as some other tropical resins, Okoumé resin is valued in industry for its versatility and sustainability as a natural product.

Siberian Pine Resin is derived from the Siberian Pine (Pinus sibirica), a species of pine that grows in the cold regions of Siberia. This resin is known for its unique, soothing scent and its numerous health-promoting properties. Siberian pine resin contains essential oils that have a calming effect on the nervous system and can help promote restful sleep. In traditional folk medicine, it is often used to treat respiratory conditions, coughs, and colds. It is also valued for its anti-inflammatory and antibacterial properties. The resin has a golden yellow to brown color and is frequently used in the production of natural remedies, salves, tinctures, and aromatherapy products. Its pleasant, resinous aroma is known to have a relaxing effect and is used in incense blends or as an essential oil to improve indoor air quality. Additionally, Siberian pine resin is used in cosmetics to enrich skincare products. Thanks to its versatile uses and positive effects on well-being, Siberian pine resin is a highly valued natural product.

by leo

Incense of Music 59 - Downes/ Stefansson/ Buck

A multisensory concert – Saturday, 11th January 2025, 8 pm

Kit Downes, piano
Thorbjørn Silas Stefansson, bass
Tony Buck, drums

Fabio Dondero (Incense burning): Elemi

Experience an unforgettable evening of experimental jazz as Kit Downes (piano), Thorbjørn Silas Stefansson (bass), and Tony Buck (drums) come together for an intimate and atmospheric performance at Panda Platforma. These three internationally renowned musicians will guide you through an immersive sonic journey, blending intricate improvisations with deep, meditative soundscapes. As part of this unique concert, the burning of Elemi incense will fill the air. Elemi, a resin derived from tropical trees, has been used for centuries for its calming and spiritual properties. With its fresh, citrusy, and slightly balsamic scent, Elemi enhances the atmosphere, creating a perfect setting for this deep musical exploration. This event is not recommended for people who are sensitive to smoke.

PANDA Platforma in der Kulturbrauerei, Knaackstr. 97, 10435 Berlin

Kit Downes is a BBC Jazz Award winning, Mercury Music Award nominated solo recording artist for ECM Records. He has toured the world playing piano, church organ and harmonium with his own bands (‘ENEMY’, ‘Troyka’ and ‘Elt’) as well as with artists such as Squarepusher, Bill Frisell, ‘Empirical‘, Andrew Cyrille, Sofia Jernberg, Benny Greb, Mica Levi and Sam Amidon. Kit performs solo pipe organ and solo piano concerts – as well as playing in collaborations with saxophonist Tom Challenger, cellist Lucy Railton, composer Shiva Feshareki, saxophonist Ben van Gelder and with the band ‘ENEMY’ (with Petter Eldh and James Maddren). He is also currently working with violinist Aidan O’Rourke, drummer Seb Rochford, composer Max de Wardener and in the organ trio ‘Deadeye’ with Reinier Baas and Jonas Burgwinkel. He has written commissions for Cheltenham Music Festival, London Contemporary Orchestra, Biel Organ Festival, Ensemble Klang at ReWire Festival, the Scottish Ensemble, Cologne Philharmonie and the Wellcome Trust. He also performed as part of the National Theatre production of ‘Network’ from 2017-2018, featuring actor Bryan Cranston. He has performed solo organ concerts at the Elb Philharmonie in Hamburg, Lausanne Cathedral, Flagey in Brussels, the Royal Albert Hall in London as well as the Southbank Royal Festival Hall, Rochester Jazz Festival (US), St Olafs Minneapolis (US), Stavanger Konserthus, Aarhus Philharmonic Musikhuset, Darmstadt Organ Festival, Stuttgart Organ Festival, Laurenskerke in Rotterdam, Orgelpark in Amsterdam, Kaiser Wilhelm Memorial Church at Berlin Jazz Festival, and the BBC Proms amongst many others. He holds a fellowship at the Royal Academy of Music in London, where he himself studied and now teaches. He has twice been awarded 1st place in Downbeat’s Critics Poll Rising Star for Organ and Keyboard categories respectively, and his ECM records ‘Obsidian‘, ‘Dreamlife of Debris‘ and ‘Vermillion‘ have been released to much critical acclaim.

Tony Buck is regarded as one of Australia’s most creative and adventurous exports, with vast experience across the globe. As a drummer, percussionist, improviser, guitarist, video maker and producer, he has been involved in a highly diverse array of projects but is probably best known around the world as a member of the trio “The Necks”. Apart from The Necks he has played, toured or recorded with Jon Rose, Otomo Yoshihide, John Zorn, T. Cora, Phil Minton, Haino, Even Parker, The Machine for Making Sense, Lee Ranaldo, Ne Zhdall, The EX, Clifford Jordan, Ground Zero … Following studies and early experience in Australia he spent time in Japan, where he formed “Peril” with Otomo Yoshihide and Kato Hideki before relocating to Europe in the mid-nineties. Some of the more high profile projects he has been involved with include the band Kletka Red, and touring and recording with, among others, The EX, The Exiles, and Corchestra, and involvement with most of the international improvisation and new music community and festivals. He also creates video works for use with live music performance and has had pieces shown in Tokyo, Belfast, Berlin, New York and Sydney. Current projects include a LIVE solo adaption of the UNEARTH music, incorporating installations, video, drums and guitar; “Spill” with Magda Mayas; “Transmit” (a guitar driven post-rock project); New York based trio “Glacial” (with David Watson and Lee Ranaldo); “Circadia” (with Kim Myhr, David Stackenas and Joe Williamson); a long standing duo with Axel Doerner as well as a continuing in ad hoc and improvised performance settings.

Thorbjørn Stefansson, a renowned double bassist and composer, is widely recognized as a versatile artist within the European improvised music scene. He is an integral part of both the Danish and German jazz scenes and has collaborated with numerous national and international artists. Thorbjørn is involved in several projects and released the debut album with the trio Dream Big Fish in 2024. Other releases include "Sun Ark" (2024), "Nissen Mosh - Precious" (2022), and "Rasmus Holm Quartet - Fatamorgana" (2021). In 2021, he received the JIB-Jazz-Prize for "Outstanding Soloist". Thorbjørn has toured in Denmark, Germany, Switzerland, the Netherlands, and the USA, performing at internationally acclaimed jazz festivals, as well as appearing live on radio broadcasts such as Radio Brandenburg Berlin (RBB), Deutschlandfunk Kultur, P8 Jazz, and Radio Jazz Denmark.

Elemi is a fragrant resin obtained from trees in the Canarium genus, native to tropical regions, particularly in the Philippines and other Southeast Asian countries. It has been used for centuries in perfumes, incense, and traditional medicine. Elemi resin has a fresh, lemony, and slightly spicy scent with balsamic undertones. It is often described as both uplifting and calming, making it ideal for use in rituals or meditation. Known for its healing and purifying properties, Elemi has also been applied in aromatherapy to promote mental clarity, reduce stress, and aid in emotional balance. In ancient times, it was used in ointments and embalming practices, similar to myrrh and frankincense. Its soft, sticky texture is often used in making incense, where its rich, grounding aroma creates a soothing and spiritual atmosphere.

by leo

Incense of Music 58 - Lyatoshynsky Trio

A multisensory concert – Saturday, 30th November 2024, 8 pm

Lyatoshynsky Trio

Mykhaylo Zakharov, violin
Artem Yasynskyy, piano
Susanne Szambelan, cello

Fabio Dondero (Incense burning): birch, nard

Program:
Yevhen Stankovych - Trio for violin, cello and piano "Epilogy
Felix Mendelssohn - Bartholdy - Piano Trio n.1 d- moll, op. 49
Astor Piazzolla - Las Cuatro Estaciones Porteñas

PANDA Platforma in der Kulturbrauerei, Knaackstr. 97, 10435 Berlin

Join us for a Multisensory Concert at Panda Platforma, experience classical music like never before in the unique setting of Panda Platforma. The Lyatoshynsky Trio will perform an evocative program featuring Yevhen Stankovych's "Epilogy", Mendelssohn's Piano Trio No. 1, and Piazzolla's Las Cuatro Estaciones Porteñas. This concert will engage all your senses, making it an unforgettable evening of immersive music with the earthy aromas of birch and the soothing essence of nard, creating a calming and spiritually enriching atmosphere. Incense appeals to one of the most neglected senses in our modern times: the olfactory. It affects the human spirit, influences our perception, and invites new experiences and emotions. These qualities inspire “Incense of Music” to combine this ancient art with music in a synesthetic project and engage the senses. For guests who are particularly sensitive to smoke, this event is not recommended. Join us for an unforgettable night that should not be missed!

Lyatoshynsky Trio was founded in 2019 by winners and laureates of prestigious international competitions. The trio focuses on performing prominent works of chamber music, particularly by Ukrainian composers, and aims to disseminate unknown or rarely performed works. Their wide-ranging repertoire spans from cotemporary music to works by Boris Lyatoshynsky, Valentyn Sylvestrov, Myroslav Skoryk, Beethoven and Mendelssohn. Their debut performance at the Konzerthaus in Vienna featuring the world premiere of Myroslav Skorik' s Piano Trio was a great success. The trio has achieved significant success on the international stage, performing in various countries such as France, Austria, Germany, Lithuania, showcasing their commitment to bringing Ukrainian music to global audiences. This concert gave rise to subsequent performances in France, Austria, Germany and Lithuania including venues such as the Konzerthaus - Mozartsaal, the Ehrbar Sall and Arnold Schönberg Center in Vienna, the Opéra Comique in Paris, the Lviv National Philharmonic, the National Philharmonic of Ukraine in Kyiv, the Kharkiv State Opera and Ballet Theatre and the Klaipeda Concert Hall in Lithuania. In 2020 Lyatoshynsky Trio recorded its debut album, featuring two piano Trios by Borys Lyatoshynsky. The recording received wide acclaim and was among others broadcast on BBC Radio 3. In addition to their classical repertoire the Trio is constantly searching for new performance techniques and forms. In 2021 in Kyiv, the Trio performed in the multimedia project “Reflections. Lines of Fate ” which combined classical music together with 3D visualisations, offering a radically new take on the history of Ukrainian composers.

Mykhaylo Zakharov was born in Kharkiv, Ukraine. In 2005, he began his studies at the Graz University of Music in Austria with Prof. Boris Kuschnir, from which he graduated with honors, receiving his Master ' s Degree. Mykhaylo is an active chamber musician and has performed with renowned musicians such as Boris Kuschnir, Julian Rachlin, Nikolai Znaider, Alexey Igudesman, Jasminka Stancul, Gérard Caussé, Nobuko Imai, Franz Helmerson, M. Perényi, Orfeo Mandozzi in many countries of the world. As a soloist, he performed with the National Symphony Orchestra of Ukraine, Kharkiv Philharmonic Orchestra, Dubrovnik Symphony Orchestra (Croatia), Camerata Helvetica St. Gallen (Switzerland), Odesa National Philharmonic Orchestra (Ukraine), Capella Bydgostiensis Chamber Orchestra (Poland) and Kyiv Camerata. Mykhaylo has been awarded prizes from the “International Music Festival” (Bled, Slovenia), International Beethoven Wettbewerb (St. Pölten, Austria), and Fidelio Wettbewerb (Vienna, Austria). He has participated in various international music festivals, including Les Rencontres Festival (Switzerland), Kharkiv Music Fest (Ukraine), Kyiv Music Fest (Ukraine), Eilat Chamber Music Festival (Israel), Komitas Festival (Germany), the National Gallery Festival (Armenia) and Andrzej Nikodemowicz International Festival Time and Sound (Poland), UStream Festival (Austria). Founder of the Lyatoshynsky Trio.

Artem Yasynskyy was born in 1988 in Donetsk, Ukraine. He gave his first concert at the age of eight. He graduated with honors in piano from the Prokofiev State Music College in Donetsk, during which time he achieved numerous competition successes. Since 2010, he has been residing in Bremen, where he completed both a postgraduate and a master ' s program at the University of the Arts Bremen. Starting from 2015, Artem has been teaching piano as a lecturer at the University of the Arts Bremen. In the summer of 2021, Artem won the 2nd Prize and five additional awards at the Sydney International Piano Competition. He is also the recipient of the Gold Medal at the Cincinnati World Piano Competition in Ohio, USA. He has received awards in prestigious international piano competitions such as the Gina Bachauer Piano Competition in Salt Lake City, Utah, the Sendai International Music Competition in Japan, the Gian Battista Viotti International Piano Competition in Vercelli, Italy, and the Horowitz International Piano Competition in Kyiv, Ukraine, among others. He has performed with orchestras including the Utah Symphony in Salt Lake City, the Cincinnati Symphony Orchestra, the Calgary Philharmonic Orchestra, the National Orchestra of Ukraine, the Kharkiv Philharmonic Orchestra, the Kyiv National Philharmonic Orchestra, the Carlo Coccia Symphony Orchestra, the Sendai Philharmonic Orchestra and others. In 2016, Artem performed a solo recital at the New York Carnegie Hall.

Susanne Szambelan, cello. “Flawless intonation, fine mastery of colors and dynamics, nobility of the tone and intimacy of expression unites ” : with those words, Pizzicato Magazine describes Susanne ’ s debut album which she released in 2013 for the Polish label DUX, featuring Dvořák' s Cello Concerto. Polish cellist Susanne Szambelan was born in New York in 1993 and grew up in Poznan, Poland. At the age of 15 she made her debut with the Kaunas City Symphony Orchestra. This led to numerous solo performances throughout Europe. In 2014 Susanne moved to Berlin, where she completed her Bachelor ' s and Master ' s degrees at the Hochschule für Musik "Hanns Eisler " with Prof. Stephan Forck and Prof. Claudio Bohorquez. Her deep passion for chamber music led to collaborations with Daniel Hope, Boris Brovtsyn Noah Bendix-Balgley, Vogler Quartett, and frequent performances with the Karajan Academy of the Berlin Philharmonic. Susanne has performed at festivals such as the Krzyżowa- Music, Zermatt, and Santander Festivals. In the season 2021/24 Susanne is the scholarship holder of Villa Musica Rheinland-Pfalz. Her solo and chamber music performances were broadcast on ARTE Concert and Radio Deutschlandfunk Kultur. Plays a cello by Jean- Baptiste Vuillaume. Susanne is now based out of Berlin.

Birch is a deciduous tree belonging to the Betula genus, commonly found in temperate climates across North America, Europe, and parts of Asia. It is known for its distinctive white or silver bark that peels off in thin layers, giving the tree its characteristic appearance. Birch has long been associated with renewal and purification in various cultures. Its bark contains natural oils with a pleasant, slightly sweet and wintergreen-like scent, often used in traditional crafts, medicines, and for burning as incense. Birch wood is lightweight yet strong, commonly used for making furniture, tools, and even paper. In herbal medicine, birch leaves and sap are known for their anti-inflammatory, diuretic, and detoxifying properties, often used in teas and treatments for joint pain or skin conditions. The tree symbolizes growth, adaptability, and resilience, making it a beloved figure in both folklore and modern culture.

Nard, also known as spikenard (Nardostachys jatamansi), is a flowering plant native to the Himalayan regions of India, Nepal, and China. It has been prized for thousands of years for its fragrant essential oil, which is extracted from the roots and rhizomes of the plant. Nard has a strong, earthy, and musky aroma with sweet, woody undertones, making it a popular ingredient in perfumes, incense, and traditional medicinal preparations. In ancient times, nard was considered highly valuable and was often used in religious ceremonies, particularly in the Middle East and Mediterranean regions. It is frequently mentioned in historical texts, including the Bible, where it was used for anointing and as a symbol of luxury and devotion. Nard also has medicinal uses and is known for its calming and soothing effects. It has been used in Ayurvedic and traditional Tibetan medicine to relieve stress, anxiety, and insomnia, as well as to treat digestive and skin ailments. Its spiritual and therapeutic properties make it a revered plant in many cultures.

by leo

Incense of Music 57 - Anissegos, Bacikin

A multisensory concert – Thursday, 24th October 2024, 8 pm

Damir Bačikin, trumpet
Antonis Anissegos, piano
Fabio Dondero (Incense burning): laurel, Kyphi

Location: PANDA Platforma in der Kulturbrauerei, Knaackstr. 97, 10435 Berlin

You are cordially invited to PANDOMIMA with Damir and Antonis, a unique synthesis of contemporary music, modern jazz, and Slavic sounds. Experience melodies that are both memorable and infinite, in an evening filled with diverse musical influences that transcend boundaries. This multisensory event will feature incense burning during the concert, adding laurel and kyphi to the immersive atmosphere, blending the aromatic richness of ancient rituals with the refreshing essence of victory and purification. Incense appeals to one of the most neglected senses in our modern times: the olfactory. It affects the human spirit, influences our perception, and invites new experiences and emotions. These qualities inspire “Incense of Music” to combine this ancient art with music in a synesthetic project and engage the senses. For guests who are particularly sensitive to smoke, this event is not recommended. Join us for an unforgettable night that should not be missed!

Damir Bačikin

Damir Bačikin has firmly established himself as a versatile and accomplished trumpet player in Berlin. With a career spanning over 25 years, he captivates audiences with his unique and recognizable sound. From solo performances of new music to playing in classical chamber ensembles and orchestras, Damir continues to impress listeners with his unique sound. Originally from Serbia, Damir is a two-time winner of the Serbian national trumpet competition. In 2005, he moved to Berlin to study under Professor William Forman at the “Hans Eisler” Institute. His rigorous training and dedication have shaped him into the distinguished musician he is today. Damir has been a prominent figure in the field of new music for over 15 years. He has collaborated with esteemed composers such as Helmut Lachenmann, Vinko Globokar, György Kurtág, Fabian Levy, Daniel Ott among others. Playing as a member of the ensemble Unitedberlin (since 2009), he has performed over 100 concerts under the artistic direction of Vladimir Jurowski, both as Artist in Residence for the New music at the Konzerthaus Berlin and at various international festivals. During his student and early career freelancing years Damir collaborated on various recording projects, concert productions and the tours with the Solistenensemble Kaleidoskop, KNM Berlin, Zafraan ensemble Berlin, Stegreif Orchestra, but also with the international sound artists such as Matthew Herbert (UK), Ari Benjamin Mayers (USA), Rashad Newsome (USA), among others. Among the regular tours in Europe, Damir has played on the Tours in the US and Asia. Damir's latest performance as the soloist and his debut on German National Radio (Deutschlandradio Kultur) in late 2023 received high praise from the New Music Magazine Germany (Neue Musikzeitung), which described his rendition of Ligeti’s "Mysteries of the Macabre" as “breathtaking” and “stunningly theatrical.” Earlier, in year 2022, he performed the solo recital for the trumpet at the New Music Concert series “Unerhörte Musik” in Berlin, where critics wrote, “Ingenious wind players in the BKA theater…” and “Bačikin ignites with virtuosity…”, playing his own composition "EARWORM!" ( funded by the Berlin Senate, "Arbeitsstipendium" 2022), among the other new music composers of the German scene. Beyond solo performances, Damir frequently appears as a guest trumpeter with numerous prestigious orchestras. His most recent, three years collaboration as a principal trumpet player, was with the Radio Symphonic Orchestra Berlin. Some of his most cherished projects was in Gérard Grisey’s "Les espaces acoustiques", following is the opening of the Musikfest Berlin with the "Ais" Iannis Xenakis at the Berlin Philharmonic, and the orchestral Tour to the Enescu Festival appearing in the "World best Orchestras" category, conducted by Vladimir Jurowski. In Spring 2024, Damir won the trumpet audition for the Symphonic wind Orchestra with the Bundespolizei Berlin and he is very excited to join them in the fall this yer, since the Symphonic wind music is one of his favorite. This new chapter in his career promises to bring more exciting performances and opportunities to showcase his exceptional talent.

https://www.damirbacikin.com/

Antonis Anissegos

Antonis Anissegos, based since 1998 in Berlin, is working as a composer, pianist (interpreter/improviser) and electronic musician (alias “unu”). In 2024 he started the trio Air, Bee & Tree, with Dan Peter Sundland (el. bass) and Daniel Schröteler (drums) and also the duo aNo with the vocal artist and electronic musician Alex Nowitz. Among his current projects are: Trio IAMA (w/ Jannis Anissegos, Maria Anissegou), ΣΩΜΑ (w/ Thymios Atzakas), best before unu (w/ bestbefore), Grix (w/ Floros Floridis, Yorgos Dimitriadis), Card Castle (w/ Mike Majkowski, Christian Marien), NPC (w/ Oliver Potratz, Ivars Arutyunyan). Collaboration with the Berliner Ensemble (2018), the Neuköllner Oper (2017), Novoflot (since 2017) and the theatre ensemble “Werkgruppe 2” in Braunschweig (2015). Since 2015 a frequent guest of the Ensemble Adapter. Since 2014 member of Dine Doneff’s “Lost Anthropology” and Silke Eberhard’s “Potsa Lotsa Plus”. In 2013, concerts with Gebhard Ullmann’s “Berlin Suite” and a Japan Tour with ΣΩΜΑ & Shoji Hano. In 2012 he performed with the Deutsche Kammerakademie Neuss the solo part of Ali N. Askin’s prepared piano concerto. Since 2012 he is participating at the New Music Days in Ulm. He is a member of the European Music Project & Ensemble Junge Musik and he has worked for many years together with the violinist Julius Schwahn, the violinist Biliana Voutchkova and the cellist Maria Magdalena Wiesmaier. Member of the dance ensemble “adLibdances” (Katerina Papageorgiou aka Kat Vàlastur, 2007-2011). Since 2006 he is performing together with the butoh-dancer Yuko Kaseki as duo KAYA with many appearances in Germany, Switzerland and Greece. Their common dance-music piece “Umbra” in collaboration with the Theater Thikwa received many performances in 2009/10. Together with the video artist Erika Matsunami he presented in Kyoto Art Center (Japan) a workshop and the performance “rasenjou no jikan / deflection” (April 2005). Their duo OIO worked together till 2009 with performances in Berlin (Transmediale, Haus der Kulturen der Welt), Wuppertal, Venice (Biennale), Seoul (Exis Festival), Barcelona. Many concerts with the Taner Akyol Trio, the Kemal Dinc Ensemble and various projects with Nicolas Simion and Jürgen Grözinger over the last decade. Since the summer of 2006 he is holding an Improvisation Workshop at the Music Village in Agios Lavrentios in Greece. His Amoebas- and Lynx-recordings were awarded the “Studio Prize 2001 & 2005” from the Berlin Senat. In autumn 2002 he was also awarded the “Composition 2002” from the Berlin Senat for “Stirrings Still”, a work for chamber ensemble and voice, based on the last text by S. Beckett. In march 2003, his Berliner band was invited for concerts at the Tongyeong-International-Musicfestival in South Korea. In 2000, Mr. Anissegos won 1st price in the Neuköllner Oper Berlin Composition Competition, which uncluded a commission for a full length chamber opera with 15 performances (“Hundeherz”, by M. Bulgakow). He began studying the piano at the age of 7. In 1991, he received his Diploma in Piano Performance at State Conservatory of Thessaloniki (class of Eleni Xenariou). He continued piano (A. Laszlo) and composition (G. Orban) studies at the Ferenc Liszt Academy in Budapest, Hungary. In 1991-93 he collaborated with Manos Hadjidakis, who also offered him commissions for new compositions. From 1992 to 1995, he studied composition (K. Schwertzig) in Vienna and in Cologne (K. Meyer) from 1995 to 1997. During this time he studied also jazz piano with John Taylor. He received his compotition diploma in 1997, and continued post-graduate studied (W. Zimmermann) at the Berlin Academy (UdK), where he received his degree in 2002. Within the student period he took part in master classes by György Ligeti, Zoltan Kocsis, Imre Rohnmann, Pierre Laurent-Aimard, György Kurtag and Lev Vlassenko. His solo-, chamber-, orchester- and theatermusic-compositions where performed among others by Ensemble Modern, Ensemble Mosaik, Ensemble Cornucopia, Ensemble Piandaemonium, Ensemble DissonArt, Ensemble LUX:NM, State Orchestra of Thessaloniki, Colour Orchestra of Athens, Magdeburgische Philharmonie, Philharmonic Chamber Orchestra Brasov, Württembergische Philharmonie and Youth Orchestra of Thüringen. Concerts in Europe, Asia & America. Record releases of music by John Cage (“Time-Length Pieces”, Gligg records, 2012 & “Time-Length Pieces” on Wergo, 2014). He appears on over 60 recordings mainly in the field of contemporary creative music.

http://www.enstase.com/

Laurel, known scientifically as Laurus nobilis, is an evergreen tree or shrub native to the Mediterranean region. It is best known for its aromatic leaves, which have been used for centuries in cooking, medicine, and as a symbol of victory and honor. The leaves of the laurel plant have a distinct, slightly spicy aroma and are commonly used as a culinary herb, particularly in Mediterranean cuisine. They can be used fresh or dried to flavor soups, stews, and sauces. In ancient times, laurel leaves were associated with the Greek god Apollo and were used to create wreaths for victors in athletic competitions, symbolizing achievement and status. This tradition continues today, with laurel wreaths representing success in various fields. Laurel also has medicinal properties; its leaves contain essential oils that may have anti-inflammatory and antimicrobial effects. Additionally, laurel is often used in aromatherapy for its calming and grounding qualities, making it a versatile and revered plant in both culinary and cultural contexts.

Kyphi is an ancient Egyptian incense blend, traditionally used in religious rituals and ceremonies. It is known for its rich and complex fragrance, often created from a combination of various aromatic ingredients, including resins (such as myrrh and frankincense), herbs, spices, and oils. Kyphi was typically prepared as a paste and could be shaped into cones or sticks for burning. The scent of Kyphi is both sweet and earthy, evoking a sense of calm and spiritual elevation. It was believed to have purifying properties and was often used in temples during worship, as well as for personal meditation and healing. The preparation of Kyphi varied over time and across different regions, with recipes sometimes including ingredients like wine, honey, and various floral elements, enhancing its aromatic profile. This blend not only served a ceremonial purpose but also held a place in daily life, used for its pleasing aroma and potential health benefits. Kyphi remains a symbol of ancient Egyptian spirituality and culture, representing the profound connection between scent and the divine.

by leo

(Deutsch) Incense of Music 56/ Filippou, Lucaciu

Incense of Music Nr. 54

A multisensorial concert- Friday, 7th September 2024, 8 p.m.

Evi Filippou: vibraphone; Robert Lucaciu: double bass; Zuza Jasinska: voice – Fabio Dondero (Incense burning): frankincense from Somalia and Oman

PANDA Platforma in der Kulturbrauerei, Knaackstr. 97, 10435 Berlin

We are thrilled to announce a unique and immersive concert experience featuring the exceptional talents of Evi Filippou on vibraphone and Robert Lucaciu on double bass. This special event will be enhanced by the evocative fragrances of frankincense from Somalia and Oman, creating an exquisite multisensory journey. This event is not recommended for people who are sensitive to smoke.

Incense appeals on the most neglected sense of modern times, the olfactory. It effects the human spirit, influences it’s perception, opens new experiences. These qualities suggest to combine this ancient art, present in any culture, with music in a synesthetic project between listening and smelling, enhancing the experience. 54 concerts, 91 musicians, 13 locations, wood, resin, barks, roots, leaves and flowers from 65 different plants. Until now. Smelling and hearing by their very nature adjust the concrete place of receptive aesthetics into the sensual center of the scene, the human being.

Frankincense, also known as olibanum, is an aromatic resin obtained from trees of the genus Boswellia. This ancient substance has been highly valued for its use in incense, perfumes, and traditional medicine. The resin is harvested by making small incisions in the tree bark, allowing the sap to ooze out and harden into beads of frankincense. Known for its rich, earthy aroma with hints of citrus and spice, frankincense has been used in religious and cultural ceremonies for thousands of years. It is believed to possess various therapeutic properties, such as reducing stress, promoting relaxation, and enhancing meditation practices. High-quality frankincense is primarily sourced from regions like Somalia and Oman, where the unique climate and soil conditions contribute to its distinctive fragrance and beneficial qualities.

The dynamic collaboration between the Greek vibraphonist and the German-Romanian double bass player has birthed an artistic partnership that defies the constraints of rigid genre categorizations. Their musical journey is an exploration that draws sustenance from a myriad of sources, ranging from the intricate compositions of 20th and 21st-century classical music to the spirited rhythms of jazz and the evocative tales woven within folklore traditions. This union of sonic exploration transcends the limits of predefined labels, for the essence of their work lies in the realm of boundless creativity.

The intertwining of their unique backgrounds results in an exquisite tapestry of sound, where the vibrancy of balkan heritage converges with the cosmopolitan influence of contemporary european musical landscapes. Like a delicate thread of free improvisation, their performances unfold in an unscripted dance that mirrors the flow of life itself. In this tapestry, notes cascade like rivulets of emotion, merging and diverging, encapsulating moments of sorrow, joy, and the indefinable spaces in between.

The duo's exploration resonates with a shared pursuit of personal expression. In a world colored by their diverse influences, they craft an auditory experience that is both timeless and contemporary—a testament to the way musical traditions and innovations intermingle at the rhythmic core of human experience.

by leo

Incense of Music 55 - Rondo Projects Edition Berlin No. 2

Incense of Music Nr. 55

A multisensory concert – Friday, 24th May 2024, 8 pm.

PANDA Platforma in der Kulturbrauerei,
Knaackstr. 97, 10435 Berlin

In its 55th concert Incense of Music is presenting a musical project by Iranian musicians and their international collaborators. “Rondo Projects takes its name as a testament to a series of collaborative musical endeavors initiated by Ehsan Sadigh, an accomplished composer and guitarist, and Mazyar Younesi, a versatile composer and pianist. Together with the multifaceted percussionist Roshanak Rafani, they embarked on their musical journey in October 2023 in Berlin. Fostering a culture of continuous evolution, each edition of Rondo Projects sees the trio collaborating with diverse musicians and instrumentalists. The inaugural edition featured collaborations with Niki Yaghmaee, a skilled viola player, and Golsana Shenasaei, an adept cello player. In their upcoming Edition Berlin No. 2, the band will meet Ruben Staub, an aspiring Clarinet and Bass Clarinet payer. The music of Rondo Projects is the reﬂection of the lived musical experience of its members. The group places a significant emphasis on improvisation within the process of composition and on the stage, providing a platform for the musicians to stretch their creativity and explore new dimensions.”

Guitar: Ehsan Sadigh
Piano, Voice: Mazyar Younesi
Percussion: Roshanak Rafani
Viola: Niki Yaghmaee

Cello: Golsana Shenasaei
Clarinet, Bass Clarinet: Ruben Staub

Incense: Mastix and Galbanum

Incense appeals to one of the most neglected senses in our modern times: the olfactory. It affects the human spirit, influences our perception, and invites new experiences and emotions. These qualities inspire “Incense of Music” to combine this ancient art with music in a synesthetic project and engage the senses. For guests who are particularly sensitive to smoke, this event is not recommended.

Mastic, also known as mastiha or mastix, is a resin obtained from the mastic tree (Pistacia lentiscus). It has been used for various purposes throughout history, including as a chewing gum, a flavoring agent in cooking, and notably as an incense. When used as incense, mastic resin emits a sweet, woody fragrance with subtle hints of pine and citrus. This aroma is often described as refreshing and uplifting, making it popular for use in religious ceremonies, meditation practices, and aromatherapy. In addition to its pleasant scent, mastic incense is believed to have various therapeutic properties. It has been traditionally used to promote relaxation, alleviate stress, and enhance focus and concentration. Some cultures also associate mastic incense with purification and spiritual cleansing rituals.

Galbanum is a resin obtained from the Ferula galbaniflua plant, native to the Middle East and regions around the Mediterranean. It has been used for centuries as incense due to its distinctive aroma and therapeutic properties. When burned as incense, galbanum emits a complex, green, and earthy fragrance with hints of balsamic sweetness. In ancient times, it was prized for its purported healing properties and was believed to have purifying and balancing effects on the mind and body. Overall, galbanum incense offers a rich and complex fragrance that can enhance various rituals and therapeutic experiences, providing a connection to nature and a sense of tranquility and well-being.

Ehsan Sadigh, 1980, Iran An accomplished Montreal-based artist specializing in guitar and composition, Ehsan Sadigh is a well-established composer, renowned for his contributions to film scores and ensemble performances. With numerous accolades for his musical scores both in Iran and abroad, Ehsan is the founder and leader of the Quartet Diminished, a contemporary jazz band with three albums published by Hermes Records. Collaborating with esteemed musicians like Colin Bass, Tony Levin, and Markus Reuter, their upcoming album, set for release by MoonJune Records in 2024, attests to Ehsan's continuous commitment to musical excellence. As an individual composer and performer, he has collaborated on various albums, including "AX" published by Discordian Records, where he worked alongside Vasco Trilla, a Spanish drummer, and the Barcelona-based saxophonist Liba Villavecchia.

Mazyar Younesi, 1983, Iran A Tehran-based versatile musician engaged in various musical activities, including composition, conducting, piano performance, and countertenor singing. He is a successful composer recognized for his involvement in orchestral and ensemble projects, as well as for his contributions to film and animation scores, which have garnered him several awards. Mazyar possesses a background in Iranian music, demonstrating proficiency with instruments such as Tombak and Setar. Additionally, his academic knowledge spans piano performance and composition. Since 2016, he has held the role of music director and conductor for the Austro-Iranian Symphony Orchestra (AISO). In the realm of contemporary jazz music, Mazyar serves as the composer and pianist for the Quartet Diminished. He has been showcased at the Show of Hands Festival in Iran and Turkey for the years 2017, 2018, and 2023.

Roshanak Rafani, 1994, Iran A multi-dimensional Berlin-based percussionist, Roshanak Rafani's diverse background in both Iranian and Classical music has enabled her to transcend conventional genre boundaries, nurturing her artistic curiosity. Specializing in instruments such as Daf and 2 Tombak, she has showcased her talents internationally, performing solo and as part of ensembles like the Mahbanoo Ensemble. A graduate of percussion performance from the Barenboim-Said Akademie in Berlin, Roshanak boasts extensive experience performing with esteemed orchestras such as the Austro-Iranian Symphony Orchestra (AISO), Junge Philharmonie Berlin, Deutsches Kammerorchester Berlin (DKO), and the West-Eastern Divan Orchestra under the direction of Daniel Barenboim. In the contemporary music sphere, Roshanak has collaborated with various musicians and ensembles, including the Pierre Boulez Ensemble, Lugano Percussion Ensemble, and Cymin Samawatie.

by leo

Incense of Music Nr. 54/ Hayden Chisholm Quartet

Incense of Music Nr. 54

A multisensorial concert- Friday, 17th May 2024, 8 p.m.

PANDA Platforma in der Kulturbrauerei,
Knaackstr. 97, 10435 Berlin

Hayden Chisholm, a masterful saxophonist and composer, brings a unique blend of influences to his music, transcending traditional boundaries to create an immersive sonic experience. Drawing inspiration from jazz, classical, folk, and world music traditions, Chisholm's compositions are marked by their depth, emotional resonance, and exquisite craftsmanship. As the protagonist of the 54th concert of the "Incense of Music" series, Chisholm and his quartet promise an evening of musical enchantment like no other. Picture yourself enveloped in a tapestry of rich harmonies, intricate melodies, and soul-stirring rhythms, all woven together with Chisholm's signature style and virtuosity. But the experience doesn't stop there. Just as music has the power to transport us to different realms, so too does scent. Imagine the air infused with fragrances carefully chosen to complement the music, enhancing every note and chord with an extra layer of sensory delight. From the earthy warmth of myrrh to the sweet freshness of rosebay, each scent harmonizes with the music to create a truly multisensory experience. So come, let yourself be carried away on a journey of sound and scent, as Hayden Chisholm and his quartet lead you through an evening of great sounds and beautiful fragrances. It's a concert you won't want to miss, a celebration of music and sensory wonder that will leave you spellbound long after the final note has faded away. For guests who are particularly sensitive to smoke,this event is not recommended.

Hayden Chisholm Group

Hayden Chisholm, saxophone

Achim Kaufmann, piano

Petter Eldh, bass

Jonas Burgwinkel, drums

Scents: myrrh and rosebay

Myrrh is a resin derived from the Commiphora myrrha tree, native to regions of Africa and the Middle East. It has been used for thousands of years as incense, prized for its rich fragrance and various therapeutic properties. When burned as incense, myrrh releases a complex aroma that is both earthy and slightly sweet, with resinous undertones. The scent is often described as warm, spicy, and balsamic, with hints of wood and citrus. Myrrh incense has a long history of use in religious and spiritual ceremonies, as well as in traditional medicine and aromatherapy. In religious rituals, myrrh incense is often associated with purification, prayer, and meditation. It is believed to have a grounding and calming effect on the mind and spirit, helping to create a sacred atmosphere for worship and contemplation. Overall, myrrh incense offers a deep and complex fragrance that can evoke a sense of reverence, tranquility, and connection to the divine. Its rich history and therapeutic benefits make it a popular choice for use in various rituals and spiritual practices.

Rosebay, also known as rhododendron, is a flowering plant belonging to the genus Rhododendron. When burned as incense, rosebay emits a subtle yet enchanting fragrance that is floral, sweet, and slightly spicy. The aroma is reminiscent of fresh blossoms in a garden, with delicate undertones that evoke a sense of tranquility and beauty. In some cultural traditions, rosebay incense may be used for ceremonial purposes, such as in rituals celebrating the beauty of nature or invoking feelings of love and affection. Its aromatic properties may also be associated with purification and spiritual renewal, creating an atmosphere of purity and reverence. While rosebay may not be as commonly used as other types of incense, its unique fragrance and potential symbolic significance make it a captivating choice for those seeking to incorporate the beauty of nature into their spiritual practices.

Born in Auckland and raised in New Plymouth, Hayden Chisholm has risen to become one Europe’s most distinctive and innovative voices on the saxophone.His parents encouraged him to start with piano at the age of eight and clarinet two years later. His first saxophone experience came playing with the local school and Dixieland bands. At the age of seventeen he moved to Switzerland and soon after began his music studies in Germany. After studying in Cologne with a DAAD scholarship he continued his music studies in Japan in India. His compositions have been recorded by BBC and WDR radios and he has toured extensively worldwide as a soloist. He has created music for the installations of seminal artist Rebecca Horn as well as composing music for the acclaimed film “Moon Mirror Journey” . He is credited with developing a new microtonal language for saxophone in the mid 90′s. In 2011 he launched the Moontower Foundation Music edition.

by leo

Incense of Music Nr. 53 - Nebbia, Parkins

Incense of Music Nr. 53

A multisensorial concert- Friday, 9th February 2023, 8 p.m.

Incense of Music is back with a highly experimental concert by a trio with Camila Nebbia, Andrea Parkins and a surprise guest.

Andrea Parkins: electronically processed accordion, amplified objects, and laptop electronics.
Camila Nebbia: tenor saxophone

Incense: Copal and Juniper

PANDA Platforma in der Kulturbrauerei,
Knaackstr. 97, 10435 Berlin

Parkins & Nebbia, both Berlin-based musicians will perform with a surprise guest at a concert of free improvised music. Performing for the first time live, their music is characterized by its boundless exploration and experimentation. Incense appeals to one of the most neglected senses in our modern times olfactory. It affects the human spirit, influences our perception, and invites new experiences and emotions. These qualities inspire “Incense of Music” to combine this ancient art with music in a synesthetic project and engage the senses. For guests who are particularly sensitive to smoke,this event is not recommended.

Andrea Parkins

Born: Pittsburgh, USA Lives: Berlin www.andreaparkins.com

Andrea Parkins is an electroacoustic musician, composer, and sound artist who engages with interactive electronics as compositional/performative process. Working with an array of sonic materials – electronically processed accordion, custom-built software, amplified objects, and electronic feedback – her performances and installations explore connections and slippages between the body, materiality, sound, site, and space.

Parkins’ projects include multi-channel sound performances and intermedia installations, electroacoustic solo and ensemble compositions; and sound for contemporary dance, experimental film and intermedia performance. She performs as a solo artist, and has collaborated with artists such as Ute Wassermann, Magda Mayas, George E. Lewis, Nels Cline, The Necks, choreographer Vera Mantero, and filmmaker Abigail Child, among others. Her performances and installations have been presented at venues such as the Whitney Museum of American Art, Café Oto, The Kitchen, Experimental Intermedia (NYC), Kunsthalle Basel, and Musée d’Art Moderne et Contemporain, Strasbourg. Festival appearances have included NEXT/Bratislava, Cyberfest/St. Petersburg, All Ears/Oslo, Jazz im Augusto/Lisbon, Music Unlimited/Wels, and many more.

Parkins’ recent projects include The Stray II, a site-responsive 8-channel spatial audio and visual installation that was featured at Momentum 12/The Nordic Biennale at Galleri F15 in Moss, Norway; her intermedia installation, Sonic Spaces for the Stray, presented in 2021 at ROM for kunst og arkitektur in Oslo; and her performance/installation, Two Rooms, Variation 1, for 40 loudspeakers and Solo Performer, premiered in 2016 at Akousma Festival in Montreal.

Andrea Parkins has been an invited resident artist at Rauschenberg Residency in Captiva, Florida; Elektronmusikstudion (EMS), Stockholm; Harvestworks Digital Media Arts Center (NYC); and by Frei und Hanseastadt Hamburg Kulturbehoerde. Her recordings are published by Important Records, Infrequent Seams, Confront Recordings, Atavistic, Henceforth Records and Creative Sources; and she can be heard as a contributor on numerous other labels. In 2022-2023, she is a fellow of the Berliner Förderprogramm Künstlerische Forschung / Berlin Artistic Research Grant Programme.

Recent Press:

“Sounding Objects: Andrea Parkins Interviewed by Lea Bertucci: Expanding Notions of Composition” Bomb Magazine (6 May 2022). https://bombmagazine.org/articles/andrea- parkins-interviewed/

“11+3 Interview with Andrea Parkins.” Digital in Berlin (August 2020,) https://www.digitalinberlin.de/andrea-parkins

Camila Nebbia

Camila Nebbia is a saxophone player, composer, improviser, visual artist, curator and educator debasing hierarchical systems by exploring counterpoints of migrational longing through multiple, but minimally separated, mediums. From Buenos Aires, Argentina, based in Berlin, Germany, the multidisciplinary artist layers her practice through the creation and destruction of archival memory.

Has released as a band leader and solo performer “A veces la luz de lo que existe resplandece solamente a la distancia” (Kuai 2017), “De este lado” (Club del disco 2019), Aura (ears&eyes records 2020),“Corre el río de la memoria” (ramble records 2021) and “Presencias” (Sound Holes 2021) “Una ofrenda a la ausencia” (Relative Pitch Records 2023).

Played and recorded with many artists of the international scene such as Valentin Garvie, El devenir del río, Burka, Paula Shocron, Barbara Togander, Patrick Shiroishi, Paul Pignon, Vinnie Sperrazza, Katt Hernandez, Kenneth Jimenez, Lesley Mok, Violeta García, Axel Filip, Susana Santos Silva, Tom Rainey, Elsa Bergman, l’ Arfi collective of Lyon, Joanna Mattrey, Micheal Formaneck, Vincent Dromowski’s Flow regulator, Sofia Borges, John Hughes, among others.

Co-creator and curator of the collective interdisciplinary group and improvised music series “La Jaula se ha vuelto pájaro y se ha volado”, the interdisciplinary festival “Guillotina Fest'' and creator and curator of the streaming concert series called “The warmth of proximity” and “A door in the mountain”. Runs the concert series and independent label “Disfigured Rivers” based in Berlin.

Participated of many festivals around the world such as Winter Jazz Fest NYC co-presented with M3 (U.S), Buenos Aires Jazz Festival (ARG), Lima Jazz Festival (PE), Diskurs Festival (DE), Ultima Oslo (NO), Saalfelden Jazz Festival (AT), among others, and has assisted to several residencies such as, ART OMI (NYC), SIM (NYC) Jazz & Creative Music dictated by Tyshawn Sorey and Vijay Iyer (CA), Konvent Zero (ES) UNCOOL (CH), Ensemble Evolution (US), CirkusVranen (SE), CCK with Tim Berne, Marilyn Crispell & Ben Goldberg (AR), among others.

Studied classical saxophone at the Conservatory "Astor Piazzolla", jazz at the "Manuel de Falla" Conservatory, Film Direction at the Universidad Del Cine, and the master degree program “CoPeCo Contemporary Performance and Composition at Estonian Academy of Music and Theatre in Estonia, Royal College of Music in Stockholm in Sweden, National Superior Conservatory of Music Dance of Lyon in France and Hamburg University of Music and Theatre in Germany. Was part of the second cohort of Mutual Mentorship for Musicians M3 created by Jen Shyu & Sara Serpa 2021, and was a curatorial fellow at the Experimental Sound Studio of Chicago 2022. Camila Nebbia is endorsed by D’Addario Woodwinds.

https://www.camilanebbia.com/

https://camilanebbia.bandcamp.com/

by leo

Incense of Music Nr. 52 - Shilkloper, Minami

Incense of Music Nr. 52

A multisensory concert – Saturday, 27. November 2021, 6 p.m.

Arkady Shilkloper: French horn, didgeridoo; Kenji Minami: drums – Fabio Dondero (Incense burning): White sage

Due to the corona problematic, Incense of Music is proposing in this difficult times concerts of rather private nature via stream. Kenji Minami, drummer from Japan, met the Russian horn virtuoso Arkady Shilkloper for a improvised jam session. We prepared the room with White sage.